A body before it remembers itself. A pause where intention forgets to hold on. Not the pose, not the gesture — but the breath that slips between what was meant and what dissolves.
The face opens like a question it doesn't ask. The gaze arrives after the fact, or leaves before the moment closes. Skin becomes threshold, glass becomes doubt, light becomes the thing that grazes without claiming.
There is restraint here, but it isn't refusal. Vulnerability drifts at the edge of sight — it lives in stillness, in the narrow distance between too close and already gone, in the frictions of proximity that never quite resolve.
Nothing arrives at certainty. No gesture completes its arc. Only the body, briefly unmoored, moving through shadow the way a thought moves through silence — restless, elusive, refusing to land.
This is not about knowing who someone is. It is about the instant identity loosens its architecture — when presence thins to membrane, when the act of looking becomes a shared suspension, uncertain and quietly breathing.
Moments
A face opening like a quiet dawn,
feathers gathering where words would be.
A softness that almost speaks,
a trembling held perfectly still.
And then —
only the body,
unwritten and unguarded,
moving through shadow like a thought
that refuses to disappear.
Two moments,
woven from breath and dusk,
tender, untamed,
and alive with the echo
of something yet unnamed.
Suspension
Between Light and Bone
She stands suspended between shadow and radiance,
a figure half-born of the forest, half-formed of breath and memory.
The antlers curve around her like echoes of an ancient animal grace,
turning her body into a quiet myth—
fierce, fragile, and defiantly alive.
Her face hidden, her presence unmistakable.
A moment carved from light, becoming its own wild language.
Mensch und Objekt / Human and object
Im Zentrum der Aufnahme steht eine nackte Frau neben einem einzelnen Stuhl.
Der Stuhl dient als einziges Objekt im Bild und dient als Stütze und Bezugspunkt. Die Hand der Frau ruht auf der Stuhllehne, während ihr Körper frei im Raum steht.
Die Wiesenfläche und der angrenzende Wald schaffen eine ruhige, reduzierte Bildatmosphäre.
At the center of the photograph stands a naked woman next to a solitary chair.
The chair is the only object in the image, serving as a support and point of reference. The woman's hand rests on the chair back, while her body stands freely in space.
The meadow and the adjacent forest create a tranquil, minimalist atmosphere.
Extension
The Lamb.
The Lamb, das Lamm.
Da steht es. Schaut dich an, wendet sich weg.
Du schaust es an; passt es in die Umgebung, in den Kontext?
Du schaust es wieder an, wendest dich weg. berührst, fühlst, betastest es.
In unser Leben treten Situationen, Anblicke, Geschehnisse, die wir nicht zuordnen können, die nicht zu passen scheinen. Machen wir das Beste daraus!
Danke, Emilia.
A Wing Made of Disappearance
„A Wing Made of Disappearance“ is part of a long term project. The series “Featherest” explores moments of dissolution, transition, and the shifting boundaries of identity. The figure within the work does not function as a portrait but as a surface for projection—an entity suspended between visibility and disappearance. It is less a photo of something than a photo about something: an image that resists depiction in favor of evocation.
Through controlled motion, blurred contours, and the presence of dark, feather-like structures, the series creates a visual language of transformation. These forms operate simultaneously as shield, veil, and catalyst, suggesting both protection and metamorphosis. The body becomes an impression rather than an object—an emotional resonance rather than a fixed shape.
Light fractures the form; shadow gathers around it. In this collision of atmosphere and gesture, photography moves toward painting, toward something more fluid and uncertain. The work dwells in the in-between: the moment where identity becomes mutable, where the self is revealed not through clarity but through its unraveling.
“Featherest” invites the viewer into this threshold space—a place where the image does not explain but suggests, where interpretation becomes an act of intimacy, and where the unseen becomes momentarily perceptible.
Teilnehmer: Model Emerika
Dancing in the Darkness
"Unscripted Moments"
The opening of the Street Photo Festival inaugural exhibition "Unscripted Moments" will take place at the Athens School of Fine Arts from 12 – 20 December.
https://streetphotofestival.gr/en/home-en/









