…and Action!!

...and Action!! - Blog-Beitrag von Model Lysann / 05.05.2018 09:37

I really love pictures taken during movement. They’re quite often more unique and authentic than pictures taken while statically posing: it’s just not possible to do the same picture again. AND I really love pictures being blurred (I’m not even entirely sure why – but it somehow addresses the same issue as mentioned above). In this case, we even decided to just keep them as they are – completely out of cam.

Thanks a lot to Michael who made those pictures possible!!!

Photos: Michael Böhler / Photosomnia

Facebook: https://www.facebook.com/Photosomnia-797440193635083/

Instagram: https://www.instagram.com/photosomnia/

Wet plate collodion photo on glass

Wet plate collodion photo on glass - Blog-Beitrag von Model Lysann / 03.04.2018 13:02

Last week, I had a very special shoot – definitely one of my highlights this year! I was visiting Tom Oosthout, who works with a "wet plate collodion technique". This technique dates back to the very beginnings of photography around 1850. Images are created directly on a glass plate, which is then used for exhibitions in museums and galleries. Just the process of creating such a glass plate was incredibly exciting to follow – There is a huge effort behind it!

In order to produce such an image on glass plate, the camera, the focus and the light must first be set, the image detail and the pose must be precisely defined. After all, once the glass plate has been prepared, you have to speed up, because the plate must not dry out. The glass plate is first coated with collodion and placed in a silver bath for 3 minutes to make it photosensitive. Then the plate is placed in the light-tight cassette of the camera and attached to the camera. After that, the model has to quickly take the previously set pose, the slider is removed from the cassette and the lid on the lens – thus the plate is exposed. The exposure time is 9 seconds, during this time the model must keep the pose – even just a slight movement would lead to the picture being blurred. After these 9 seconds, the lid comes back on the lens and the slide on the cassette. Now the plate must be developed immediately in the darkroom before it dries. The glass plate is doused with a developer liquid (water with iron and alcohol) and then rinsed with water and placed in a fixer. As a result, the silver dissolves from the plate on which no light has fallen. You can see the picture appear immediately – absolutely exciting!! Then you have to dry the glass plate, paint the back with black acryl colours to see the picture well. Production costs of one plate are about 50 euros. The camera itself has only an ISO of no less than 1 (!!!) – so you have to add a lot of external light to make the whole thing work.

Dear Tom, I thank you so much for this great afternoon with you, for your detailed explanations and this super exciting experience! And many thanks to Dennis Süßmuth for taking the pictures!

Wet plate collodion photo on glass: Tom Oosthout

(Facebook: https://www.facebook.com/tom.oosthout/ )

Webseite: http://www.exnl.nl/

Instagram: https://www.instagram.com/oosthout/?hl=de

Making Of pictures: Dennis Süßmuth

(Facebook: https://www.facebook.com/Dennis.suessmuth/?ref=br_rs )

Wet plate collodion photo on glass, 17,8 x 23,5 cm (2mm)

Lens: Leitz Epis 4,0/400

Exposure 9 seconds @ f 4,0

On the streets of Berlin….

On the streets of Berlin.... - Blog-Beitrag von Model Lysann / 18.03.2018 11:45

On the streets of Berlin….

This is probably one of the most authentic series which was ever taken from me. Maybe even more intimate than some of my nude art pictures…. THAT’S just me. I guess there is nothing left to say…. Thank you, dear Gilles, for capturing those moments!!

Pictures taken by: Gilles Soubeyrand / Fotografie Gilles

Facebook: https://www.facebook.com/Fotografie-Gilles-168085016641894/

Teilnehmer: Fotograf gilles

Schwarzes Licht

Schwarzes Licht - Blog-Beitrag von Fotograf Henning Bruns / 17.09.2017 11:03

Schwarzes Licht



Schwarzes Licht ist eine Sache die typisch für Berlin ist. Für mich ist es das typische Licht für Berlin. Es sieht fast aus wie eine Ätzung. Berlin unter der Sonne ist nicht gut. Wenn man an den schwarzen Seen ist, an den schwarzen Wäldern, wenn man die schweren Wolken über den Seen sieht – Das Licht ist sehr durchdringend, das heißt es ist enorm viel Licht da. Es ist nicht das es duster ist, es ist eine Lichtqualität die schön ist.

Helmut Newton

Die Aufnahmen entstanden Mitte Dezember. Die Wolken hingen fast bis zum Boden, und es nieselte immer wieder leicht. Fein legten sich die kleinen Tröpfchen auf die Wolle ihrer Mütze. Das Licht erinnerte mich an Leonardo da Vinci’s „Traktat von der Malerei“ oder an Helmut Newton, wenn er von dem „Schwarzen Licht“ an den Berliner Seen schwärmte. Der Mensch bekommt einfach eine besondere Erscheinung, die Haut eine besondere Ausstrahlung. Ich liebe die Fotografie, wenn sich der Himmel wie eine große Softbox über mein Motiv spannt. Marina und ich fotografierten das erste Mal zusammen. Es waren Bilder in verschiedenen Kleidern geplant. Marina trug noch ihre Kleidung, mit der sie aus dem Zug gestiegen war. Auch während unseres Shootings kamen wir immer wieder auf Mantel und Mütze zurück. Es passte einfach an diesemTag.