Henri Cartier-Bresson “The Decisive Moment”

Henri Cartier-Bresson "The Decisive Moment"

Das Buch *The Decisive Moment / Images à la Sauvette*, herausgegeben von Thames & Hudson, erscheint am 10. September 2024. Es umfasst 184 Seiten und ist in englischer Sprache verfasst. Die Abmessungen betragen 17,5 x 2,2 x 23,3 cm. Dieses Werk, das die duale Natur von Henri Cartier-Bressons Arbeit zeigt – eine Mischung aus intimer Interpretation und dokumentarischer Beobachtung – gilt als bedeutende Referenz für Fotografen. Die aktuelle Ausgabe macht diesen Klassiker in einem kleineren, praktischen Format erneut zugänglich und enthält zusätzlich eine umfassende Studie zur Entstehung und Bedeutung des Buches, verfasst von Clément Chéroux, dem Direktor der Fondation Henri Cartier-Bresson.

two minutes later

two minutes later - Blog-Beitrag von Fotograf Andreas Puhl / 10.08.2024 16:20

made with my mamiya on Fuji FP-100, which has been expired for more than ten years.

Last week we implemented the idea again after three years.

I asked this community about the reuse of an older idea and decided that it doesn't matter and that I don't care if someone likes it or not.

close

close - Blog-Beitrag von Fotograf BeLaPho / 08.08.2024 15:04

In „Close“ wird Lamacra in einer eindringlichen Schwarz-Weiß-Nahaufnahme gezeigt. Das Porträt, aufgenommen bei Tageslicht, fängt die feinen Details ihres Gesichts präzise ein. Die kontrastreichen Licht- und Schattenverhältnisse heben ihre Sommersprossen hervor, die wie natürliche Flecken auf ihrer Haut erscheinen. Die extreme Nähe des Bildausschnitts schafft eine intime Verbindung und bringt die subtile Textur und Ausdruckskraft ihres Gesichts deutlich zur Geltung. Die reduzierte Farbpalette und die klare Beleuchtung betonen die Natürlichkeit und Authentizität der Darstellung, ohne dabei übermäßig dramatisch zu wirken.

STRKNG – Editors' Selection – #77

STRKNG - Editors' Selection - #77 - Blog-Beitrag von  STRKNG / 06.08.2024 16:13

100 striking images · 12.07.2023 – 07.09.2023

Cover © Cottel Sébastien

Contributors

0_rly· 35mm· 3cre8ive· abolfazljabraeili· acqua&sapone· akschoeps· alberto monteraz· alessio moglioni· amanda· andreas puhl· anjuzi fotografie· annalisa de luca· ansichten· aufzehengehen· behnamkhoramshahi· blackwater_pure.art· carlo magenis· carlos odeh· carola bührmann· carpe lucem· christophe_staelens· cologne boudoir· cottel sébastien· cpmalek· dietmar sebastian fischer· dirkbee· ellis· ernst weerts· falko matte· fariba saberi· federico fiorenzani· francesco sambati· frank decker· fritz naef· gernot schwarz· graefel· h e r . f o t o· hamidreza sheikhmorteza· heiko westphalen· holger nitschke· igor b. glik· imar· j. bongartz· janinepatejdl· jens klettenheimer· jevgenij balezin· jürgen bussmann photography· kathi-hannah· kupferhaut· lichtundnicht· lilith terra· lukas kaminski· maria schäfer photography· marina tells you· martial rossignol· masoumeh rahimi· mecuro b cotto· mehdi mokhtari· michael everett· miiy· milica marković· moga alexandru· monica smaniotto· mory_net· nakiesheri· olaf radcke· peter meyer· pixelhunter· reto.heiz· sara.bahari· schiwa rose· scott franklin evans· shizuo· silvio manuele· thomas berlin· thomas freyer· thomas ringhofer· thomas stephan· tlobnw· wendelin kipping· y. adrian· петр максимов

Teilnehmer: Fotograf Cottel Sébastien

Revisiting The Scene

Revisiting The Scene - Blog-Beitrag von Fotograf Clint / 04.08.2024 06:24

It's hard to believe but my wonderful model had to remind me that this entire trip had occurred! In my defense, it was an especially productive few months and she and I had been on an absolute tear across the countryside with absolutely epic shoots tumbling over one another. I had looked at this one and been a bit disappointed in myself and set it aside for almost a year until getting a nudge. Models, don't hesitate to nudge your photographers! I was juggling running a small production company, carrying out a summer season of music festivals and events, cramming shoots into every bit of spare time I could find and, yeah, forgetting to look closely at every little thing in the moment! I'm so glad she did.

This next week we're going to take a couple days to get out and shoot again — Jordan has relocated to the magnificent Desert SW and we haven't seen each other in a few years so this is going to be new fun all over again! One of the ideas in my mind is to revisit this location and mood but shoot it with six years more experience. Will it work? Will it be different? Can we recapture the wild magic that we found the first time? I tend to shy away from repeating things. When I started I remember seeing a guy in Austria who posted picture after picture, always a different model but always the same LOOK — the model emerging from a mountain lake in bondage-y harness gear. From the looks of it he planted a camera at the edge of the lake and had "those settings" ready to go. Looked like a multi-light setup, certainly more complicated than a lot of my natural light endeavors. But my takeaway was that I would cut my own wrists if I took the same picture every time. So for the last eight years I have restlessly challenged myself with new ideas and new looks, from early experiments in saturated light to an emphasis on natural light and camping adventures, to more recent thinking about strobe infill and creating sets in unusual locations.

We'll use this hot summer to do some revisiting. Maybe I can find something interesting in it!!