Im Studio mit Marushka und einer Körperbemalung aus flüssigem Latex.
the rules
There are old rules that are irrevocable for all photographers.
The first is: if there is a wall with scraps of wallpaper in a location or a studio, you have to photograph the model in front of this wall.
The second rule says: if there is an empty frame on a wall in the studio, it is important to take photos with the model close to the frame.
And the third and most important rule of all: if there are antlers in a studio or location, the antlers must be integrated into the pictures!
In this location we had the wall, the frame and also the antlers, I was a conscientious photographer and followed all the rules.
Model: https://strkng.com/de/model/frau+katzenblum/
Music: https://youtu.be/2dDch7lFlIk
behind red curtains
spending a day in the cinema and feeling glamourous but still somehow out of place after a long period…
Mamiya 7ii, Pentax 67ii shot on Porträt 800 film, negative scans
Teilnehmer: Model Jott
the painter
little series with @gretevomstein as a Vintage-painter
Vote for the Cover of STRKNG Editors‘ Selection – #54
Please help us to find the next cover image for our issue »STRKNG Editors‘ Selection – #54«
1) For no one – © Ed Wight
2) Natalie – © Doreen Seifert
3) Heliya – © Mehdi Mokhtari
4) La Femme au portrait – © Marta Glinska
5) Sunshine – © Bogdan Bousca & Irina ludosanu
6) Ents – © Michal Magdziak
7) prayer – © Photographer Tetsuro Higashi
8) watch me fall apart. – © inner destruction
9) FIRST LIGHT – © RRR DIAZ
Use only one number in the comment.
Only one vote per person. Thank you!
Voting ends Wednesday 18th August 23:55h MET
Publication covers so far….
https://strkng.com/en/publications/
Teilnehmer: Fotograf Bogdan Bousca / Fotografin Doreen Seifert / Fotograf Ed Wight / Fotograf gxlgentxnz / Model Irina ludosanu / Fotografin Marta Glińska / Fotograf Mehdi Mokhtari / Fotograf Michał Magdziak / Fotograf Photographer Tetsuro Higashi / Fotograf RRR DIAZ
ZEITGEFÜHL
White
White
Was bleibt
von Angst und Zweifel
von Licht und Schatten
von Kampf und Aufgeben
von Schmerz und Heilung
von Glauben und Wahrheit
von Erwartung und Enttäuschung
vom Gehen und Weichen
von Hoffnung und Zuversicht
von Mut und Ratlosigkeit
vom Reden und Schweigen
vom Träumen und Erwachen
von Verständnis und Mitgefühl
von Dankbarkeit und Liebe…
Teilnehmer: Fotograf Torsten Kuban
Street Photography ES
Let me introduce myself. While many of the street photographers here know me, I figure maybe I should let others in on who I am.
My name is Alex Coghe. I am Italian, born in Rome but I moved definitely in Mexico City in 2010.
I shoot Mexico City since 12 years ago so this means that I know enough this city. As a professional photographer I do photojournalism and portraits, specializing in books for models. I worked also for Leica Camera Ag on assignment and for Burberry. That was my debut in fashion photography.
I have been providing street photography workshops for quite a few years now.
My workshops are real experiences and usually I work with small groups or private one to one for all levels. My workshops in Mexico City are a success with students coming from any part of the world. Recently I added Oaxaca as city available for my masterclass street photography workshop. I propose also photographic expeditions in Oaxaca, for example in October&November during Day of the Dead celebrations.
For STRKNG I decided to focus on street photography but I reserve in future to show part of my work with models.
On my website alexcoghe.com you will find a lot of resources and I am publishing a small guide to street photography.
About Street Photography I can say that is part of me every single day. It doesn’t matter if I’m in my barrio or in downtown: every time I go out I have to do it with a camera, digital or film.
I ask my students what their motivations are. Because I believe that they have to be strong if you want to be a street photographer. There is a difference between being and doing it. I don’t want to go into too much depth here on the ontology of being street photographers but let me tell you that for me it’s about being willing to bleed. I mean not literally but willing to really pour ourselves into the work we are going to do.
When I am on the street I certainly do not hide what I am doing, or photographing. I am in an open and positive attitude, I smile because I love what I do and in all these years I must say that even shooting in places considered difficult if not dangerous I have never had excessive problems.
I photographed also with flash, it happens often to get very close to people, using lenses between 28mm and 35mm. The goal for me is a photograph showing gestures and that special humanity that you can find in a shot.
What I do is to interpret what has always been my curiosity towards other people. I do it and I did it as a writer and I don’t turn it off when I have the camera with me.
Die Synchronschwimmerin
Die Synchronschwimmerin – eine Metapher oder ein echtes Bild? Beides geht – Eine Sehnsuchtsgeschichte in die Vergangenheit?