Die dunklen Tage – Dezember 2020 – mit Lisa
once upon a time
Projekt,Depression -Heilung
Black and White vs Color photography
I do love black&white photography and some people told me that I was used to do b&w with color photography. I didn’t understand at first and I don’t know if they are true. But that made me think about it.
It is true that the composition, the lines, in other words, the structure, is what strikes me most in a picture.
I went back to some of my images, and indeed I have often used false colors or striking ones like in this first picture of dance, with the contrasting red and blue. Obviously, contrast is a way to get highly structured pictures in b&w photography, like in the surfers’ one with that heavy black suit in the front and middle of the picture. But I achieved a detached effect of the young boy in color with depth of field and the contrast between the rough colors behind and the unity of his skin.
The "sang bleu" (blue blood) picture (which is a french joke about noble people’s blood, as I took this picture during a "give your blood" session) is probably mostly a b&w type photography. Well I do love the blue atmosphere and the blue square in the front, but it is not a colorful picture indeed, yet a highly structured one. Is it what they meant when telling me I did "b&w photography in color" ?
On the other hand, I really felt like having the "flowery dress" in b&w rather than in color because it seemed to me to be more striking with the reflection of the street and the black windows behind. And can’t you see the colors of the flowers ? I remember Ansel Adams saying he achieved a far greater sense of color in black and white ! Well, I’m not sure I agree, but I do not miss the colours of these flowers.
The "car park" is probably another "almost b&w" picture. But in this one I do like the yellow sun like halo of light and I would certainly not have changed it to black and white even though its structure would have fit well. The "sous-bois"’ is false colors. Perhaps it is not so important and could have it in b&w : the main topic is the flow of light in the opening in the distance, with the silhouettes of the trees. But I like the pale purple of the trunks in the front and the yellow-green of the grass and moss under the trees.
The last picture, the museum at sea front in San Sebastian, Spain, which I have named "passers by" is really a mere b&w picture for me. You can imagine the blue sky, ok, but I do not think it would get more interest. On the contrary colors would probably get this picture less striking with the contrasts between the building lines and the mustard sky and the people walking in the middle.
I let you appreciate these differences between b&w and color photography through these few examples and refer to your own practice. Let’s think (and talk) about it !
Philippe
snowcorrida | 2o21
Editors’ Selection – #49
100 striking images · 2020-01-30 – 2020-03-05
Cover: »***« | Mecuro B Cotto
Many Thanks to the contributors:
aaron walls· achim brandt· acqua&sapone· ad-photo· alexander kuzmin photography· alexandra laffitte· alexandru crisan· ana lora· ando fuchs· andrea schwelle· andreas jorns· andreas reh· anna abstraction· annuschka· astrid susanna schulz· axakadam· bcb karim· bienvenido cruz· buddabar michal· by the sea· carsten schenker· christian fuhrmann· conrad· d.hoffgaard-photography· daniel wandke· daniel.nartschick· denis peaudeau· francesco rizzato· frank bayh & steff ochs· goal74· greggory wood· gutenbild· holger nitschke· hud1ai2· igor burba· igorkostin· iso_fotografie· itsumo hima· jamal cazaré· jarek januszewski· jens krüger· kantorka· kayserlich· knas· kopfbild· leszek kowalski· lichtundnicht· lukas kaminski· marek juras· marie· marie-luise müller· mark kinrade· marseiphoto· mauro· maxime broy· mecuro b cotto· merih miran· michael hemingway· michaelmoeller· nakiesheri· oliver viaña· patricio suarez· peacocks feather· peculiar.mind· peyman naderi· philippe galanopoulos· photographer tetsuro higashi· pictory· piet.sommer· pixoom photographie· ralf tophoven· ray gray· rdpx· renate wasinger· sabine gassner· scott hargis· sergey sivushkin· sprache der seele· storiesoflightandshadows· susanne jeroma· thomas berlin· thomas freyer· thomas strauss photography· thorsten geisser emotionale fotografie· tunguska.rdm· vivienne b· werner gstrein· woman of dark desires· yulkin evgenij
Teilnehmer: Fotograf Mecuro B Cotto
Handmade Toyobo-print chine-collé
I am grateful to have been part of a wonderful exhibition at the end of last year, which was so confusing. Because of the constant new editions, it was not easy for the gallery owners of the ARTESPACE GALLERY MUNICH to realize the plan of an exhibition during the Christmas season 2020. In the end, however, the great efforts were more than worth it.
A big thank you also goes to Eric Levert from the Netherlands. Despite the time constraints, this master of printing managed to refine my works for the exhibition into breathtaking Toyobo-prints Chine-Collé within a few days, thus creating two exclusive editions.
But, what is a Toyobo Print? It is a special printmaking technique where a digital file is exposed on a light-sensitive layer. The image is then washed out in water. The plate is a negative and can then be printed as a (positive) etching in circulation. It gives deep dark prints with a beautiful texture. With the ancient Chine-collé technique the image is transferred onto a surface that is bonded onto a heavier support in the printing process. Ultra thin Japanese paper pasted on the heavy cotton etching paper gives the artwork its beautiful color. I love this kind of printing technique. It gives a beautiful uniqueness to each image of an edition.
Ein wenig Freude.
Freudenpaket.
Da fällt mir doch glatt auf, dass Gefühle nicht nur bedrückend sein müssen!
Ich sichte Bilder. Zwei Jahre alt. Es gibt wirklich einen richtigen Weihnachtsmarkt (erinnert sich jemand?). Nach dem Besuch des "weihnachtlichen Märchenmarktes in Wuppertal verschlägt es uns noch in eine Tiefgarage. Immerhin gilt es, das Auto abzuholen.
Langweilige gelbe Säulen umgeben uns. Starrer Beton. Tote Kulisse. Aber dann kommt Daria. Auto abholen ist gleich. Jetzt ist shooten angesagt. Daria ist ein Freudenpaket. Sie zeigt, dass es keiner besonderen Umgebung bedarf, Spaß auszustrahlen.
Unser Shooting hat viele Ergebnisse. Es entstehen starke Bilder. Aber die kommen vielleicht ein anderes Mal. Diesmal ist starke Freude angesagt. Dürfen es einmal die nicht "eigentlichen" Shootingbilder sein? Hier sind sie!
Das Model: https://www.instagram.com/daria_zjc/