Bishopsgate261016 can be seen at both the Head On Photography Festival, Bondi Pavilion Gallery, Sydney from 8th Nov till 1st Dec –
AND in "Street" at Glasgow Photography Gallery, 279-281 High Street, Glasgow from 2nd till 30th Nov.
Iryna
Ballet in Salzburg.
Graz is it? It is!
In this post I show pictures of my hometown Graz. With my Graz photo project "Graz, is it? It is!", my aim is not just to take pictures of the classic sights or just take street photos, but to develop a personal view of this city. This idea came about during the pandemic, when travelling was very limited or not possible at all. I'm always travelling around parts of the city, wandering through individual streets or squares and looking for interesting motifs. I try to find subjective details worth seeing, interesting lighting situations or new perspectives on well-known points of interest, which at best reflect the character of the city or show the many facets of my great hometown.
The historic centre of Graz belongs to the elite circle of around 900 World Heritage Sites. Graz was European Capital of Culture in 2003, is a UNESCO City of Design and is a very lively city thanks to its many students’.
Wavedays
Wavedays
Ein Tag am Ufer vom Wasser
Danke allen.
Anastasiia
an amazing model, with whoom i wanted to shoot since a long long time. This year it worked, and it was epic!
table vol.2 -b&t I-V-
rue | tanzsaal | 2o24 | body&table
the inner me
closer
getting closer to myself
Parallel Voices – Photometria
I am exhibiting eight images in "Parallel Voices", part of the Photometria International Photography Festival, Ioannina, Greece. "Parallel Voices" is a group exhibition of 9 selected portfolios which can be seen at Pyrsinellas Mansion outdoor area – Municipal Regional Theater, Ioannina. The Festival opens today 28th September and runs till 1st December.
https://www.photometria.gr/en/contests/parallel-voices/
Why I Switched to Full Black and White Photography
Hey friends, I wanted to share a personal decision I made recently that’s changed the way I approach photography. After a lot of thought, I’ve committed to shooting exclusively in black and white. This isn’t some grand statement or advice for anyone else, just something that feels right for me and the way I want to work.
By shooting only in black and white, I find a certain clarity—it simplifies everything. I also only shoot in JPG now, which keeps my workflow seamless. I treat my cameras like they’re monochrome-only, which means I’m always thinking in black and white, and I don’t second-guess myself with color later on. This helps me focus all my energy on the things that matter most to me—storytelling through street photography and portraits—without the distractions that color can sometimes bring.
For me, the decision to let go of color was more about gaining consistency in my vision. There’s something freeing about that renunciation. It’s not about better or worse, but by stripping things back to black and white, I’ve found it allows me to focus entirely on the emotions, expressions, and structure of the image.
It’s also my way of staying true to what I love about street photography, especially in a world where so much is shot in color for festivals and awards. I wanted to carve my own path, and this just feels like the most honest way for me to do that.
Again, this is just what works for me—everyone’s journey in photography is different—but for now, this is mine.